Recording An Acoustic Guitar

Recording and tracking a super duper sounding acoustic guitar isnt as simple as making a ham and cheese sandwich. In fact, the acoustic guitar is one of the hardest instruments to track. Simply put, the acoustic guitar makes a wide range of tones, timbres and frequencies. Tracking that sonic rainbow requires good gear, good ears and good technique. All this requires patience for the job. If we assume that your session is blessed with a talented musician and good sounding gear and equipment, the first obstacle you will meet is finding that ideal sounding room, because where you track the performance is as important as you record it. The room effetcs the sound. To really nail the little things of the acoustic guitar, you need match the musicians genre to the room.
If the goal is to track a genuine sounding portait of the acoustic guitar, your best bet is to record in a characteristic room. Becasue in the absolute world, people listen to guitars in distinctive rooms and enviroments.
If your not fortunate to have wood floors or you are forcd to record in an acoustically unanimated space, you can liven up the sound by laying a large wooden board on the ground underneath the guitarist. You should analyze keeping a few boards on hand for this particular purpose, as you can construct them vertically on either side of the guitaest to forge reflections.
Second to rank only to the characteristic and the sound being induced from the guitarist are the placements of microphones. Three parameters should allow on how you mic the acoustic guitar. The three things are; The character of microphone best appropriate for the job, which polar pattern is best for the job and whether you are recording in a monanaural or stereo view.
The choice of microphonesevaluation to condensor or dynamic. Ribbon mics are rarely used for acoustic guitar recording. There more used for electric guitar recording, because of the charactoristics of the ribbon mic. Condensor mics are once and again the best choice, because there more sensitive. But for agressive rock, a dynamic mic can be used to produce a strong midrange tone that can cut through almost anything.

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