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Live from Lincoln Center is an ongoing series of musical performances produced by Lincoln Center for the Performing Arts in conjunction with Thirteen/WNET in New York City. A series of concerts, ballets, operas, and recitals telecast, as the title says, live from Lincoln Center, it was created and developed by Executive Producer John Goberman and premiered on January 30, 1976 with a concert featuring Andr? Previn and Van Cliburn. It is aired by PBS stations nationwide periodically rather than on a regular schedule.
Announcer Martin Bookspan was with the program from its premiere in 1976 until his 2006 retirement, when Fred Child, announcer for NPR's Performance Today, took over. Several personalities, among them Dick Cavett, Hugh Downs, Sam Waterston, Garrick Utley, Canadian broadcaster Patrick Watson, and Beverly Sills, have served as host for the series, with Downs staying the longest. Ms. Sills was the host from 2000 until two months before her death in 2007.
The concert will begin with the Polonaise from the opera, Eugene Onegin, and after the intermission we'll have the music for the complete Second Act of the beloved ballet, The Nutcracker. Come back with me to the Live From Lincoln Center telecast of July 29, 2003, a concert given in the course of summertime New York's Mostly Mozart Festival. The program was indeed made up of music mostly by Mozart, but also scheduled was Mendelssohn's Piano Concerto No. 1 with the very young (barely into his twenties) Lang Lang as soloist. Several Mozart opera arias, lasting a total of about 15 minutes, were also scheduled. But literally minutes before concert time the soprano conceded victory to the laryngitis that had attacked her and she informed us she would be unable to perform. What to do on a live telecast scheduled to occupy two hours of air time?
Into the breach stepped Lang Lang, offering to perform Liszt's knuckle-busting "Reminiscences of Mozart's Don Juan", which mercifully runs just about the same length as the scheduled soprano arias. His offer was immediately accepted, and I remember Lang Lang running through the corridor on the broadcast booth level in order to get to one of the dressing rooms that was equipped with a piano.
Tchaikovsky subsequently made slight revisions in the score; the final version as we know it came in 1888. It is perhaps the best-known piano concerto in the literature, and even attracted the attention of Tin Pan Alley some 65 years ago when the theme of its Introduction became the basis of a Pop song titled "Tonight We Love".The Polonaise from Eugene Onegin that opens our program is a high-spirited moment from a basically gloom-laden opera that includes a murder by duel, an early unrequited love, and an ultimate rejection of that early love on moral and ethical grounds. The opera dates from 1878.
The Second Act takes the children on a visit to the Kingdom of the Prince and presents us with all the music familiar from the concert suite Tchaikovsky extracted from the score, among them The Dance of the Sugar-Plum Fairy, the Arab Dance, the Chinese Dance, the Russian Dance and ultimately the Waltz of the Flowers. No offense meant to diehard balletomanes, but all by itself Act 2 of The Nutcracker, without choreography, makes for a rewarding concert experience.
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